A young man tries to change his best friend from a pet rock back into a human.

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

Norwegian sitcom about life on an idyllic street in Granli Norway, where the fences are low and neighborly relations close. Here we meet the residents who struggle with life's challenges big and small, trials all of us can relate to.

Second Movie of the K-Seven Stories 6-Part Movies-Series.

Doug and his pal Skeeter set's out to find the monster of Lucky Duck Lake. Though things get really out of hand when some one blurts out that the monster is real.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

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The Quartzers, calling themselves the Wardens of Time, appear after Sougo Tokiwa has collected all of the Heisei Era Ride Watches. A grand conspiracy behind the birth of the King of Time becomes ever clearer...

Abbey Road is a masterpiece filled with such classic Beatles songs as “Come Together,” “Something,” and “Here Comes the Sun.” Deconstructing the Beatles' Abbey Road: Side One takes a track-by-track journey into their inspiration and evolution in the studio with the man who’s been presenting his beloved, exhilarating multimedia deep dives into the band’s work here for years. Because of the depth of the Abbey Road songwriting, he created two separate presentations for this album.